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people:iasos:videos:tips_for_aspiring_musicians_iasos:transcript_-_tips_for_aspiring_musicians [2022/05/10 03:26] thegarnet up to Iasos two important rules for creating music |
people:iasos:videos:tips_for_aspiring_musicians_iasos:transcript_-_tips_for_aspiring_musicians [2022/05/10 04:09] (current) thegarnet up to advice on live performing. 9:33 |
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+ | ====== TRANSCRIPT ====== | ||
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okay are you all comfortable? | okay are you all comfortable? | ||
+ | |||
+ | ===== Music Appreciation ===== | ||
+ | ==== Please yourself, don't guess about what others like ===== | ||
4:16 | 4:16 | ||
Line 79: | Line 83: | ||
* ** very very important!!** | * ** very very important!!** | ||
- | when you're trying to please other people | + | | When you're trying to please other people: | You're guessing you're stabbing in the dark you don't know you don't have a clue | |
- | 4:36 | + | | When you're trying to please yourself: |
- | stabbing in the dark you don't know you don't have a clue when you're trying to please yourself | + | |
- | 4:42 | + | now here's the bottom line: |
- | you know exactly what you like you know exactly what you don't like now here's the bottom line no matter what you | + | * no matter what you create with music there will always be some people that like it and there will always be some people that don't like it |
- | 4:48 | + | |
- | create with music there will always be some people that like it and there will always be some people that don't like it | + | |
4:54 | 4:54 | ||
- | so here's the basic formula for how it works art appreciation | + | so here's the basic formula for how it works: |
- | 4:59 | + | * art appreciation |
- | boils down to consciousness matching | + | |
- | 5:05 | + | if: |
- | perceiving the music is in a similar consciousness or similar mindset as the one that created it they' | + | * if the person |
- | 5:11 | + | * if they' |
- | think this is great it's the best music on the planet if they' | + | * if they' |
- | 5:17 | + | |
- | they don't get it at all and if they' | + | (laughs) |
- | 5:24 | + | |
- | make it as celestial and heavily as i can but there are angels who are cruising way higher than me and they listen to my music and say well god | + | for example when i do my music i try to make it as celestial and heavily as i can but there are angels who are cruising way higher than me and they listen to my music and say "well god bless him at least he's trying" |
+ | |||
5:30 | 5:30 | ||
- | bless him at least he's trying | + | |
- | 5:37 | + | so music appreciation boils down to consciousness matching between the perceiver and the creator of the music. |
- | consciousness matching between the perceiver and the creator of the music this also | + | |
- | 5:43 | + | this also applies to all of the arts: painting architecture sculpture all of it. So no matter what you do |
- | applies to all of the arts painting architecture sculpture all of it so no matter what you do | + | people with a consciousness similar to you will love it and people with a different consciousness won't. And that's the way it is. |
- | 5:48 | + | |
- | people with a consciousness similar to you will love it and people with a different consciousness won' | + | |
5:55 | 5:55 | ||
- | it is personally | + | |
- | 6:01 | + | Personally |
- | other people | + | |
- | 6:06 | + | So because of that don't waste your time trying to please other people. You're stabbing in the dark you're guessing. |
- | know about you know what you like do that and know in advance that not | + | |
- | 6:12 | + | **Please |
- | everybody will like it but people whose mindset is similar to yours will love it as much as you do | + | |
+ | |||
+ | ===== Be Heart Guided, not Mind Guided ===== | ||
6:22 | 6:22 | ||
- | another | + | |
- | 6:28 | + | Another |
- | mind guided | + | |
- | 6:33 | + | Let your heart be the boss don't let your mind lead the way when it comes to music. |
- | your mind lead the way when it comes to music music is primarily an emotional communication | + | |
- | 6:40 | + | Music is primarily an emotional communication. |
- | when i was auditioning guitarists for a band i had and some of the | + | |
- | 6:46 | + | There are many years ago when i was auditioning guitarists for a band i had. And some of the |
- | guitarists when they' | + | guitarists when they' |
- | 6:52 | + | from uh Juilliard!" |
- | from uh juilliard | + | |
- | 6:58 | + | well the Juilliard |
- | graduates were like exquisitely sophisticated machines | + | |
7:05 | 7:05 | ||
- | they could place things so smoothly so perfectly with absolutely no feeling | + | |
- | 7:10 | + | They could play things so smoothly so perfectly with absolutely no feeling. It was like a machine, There's no heart in it at all. So don't do that don't be an efficient |
- | machine | + | |
- | 7:16 | + | Follow |
- | typewriter follow | + | |
- | 7:22 | + | A lot of people like to think of their mind as being the boss, but your heart is really the boss and that's especially true with music. |
- | really the boss and that's especially true with music be heart guided | + | |
+ | Be heart guided | ||
+ | |||
+ | |||
+ | ==== Cornell University trying to recruit Iasos into music department ==== | ||
7:28 | 7:28 | ||
- | don't be you know mechanical like that when i graduated from high school went | + | |
- | 7:34 | + | When i graduated from high school went to cornell university i was studying different majors like anthropology psychology. |
- | to cornell university i was studying different majors like anthropology psychology | + | |
- | 7:40 | + | But my high school teacher kept phoning the director of music cornell university saying this guy is a great musician you got to have in the Cornell band. |
- | but my high school teacher kept phoning the director of music cornell university saying this guy is a great musician you | + | |
- | 7:46 | + | So the director of music Cornell |
- | got to have in the cornell behind you so the director of music cornell | + | to get in the music department. |
- | 7:52 | + | |
- | to get in the music department | + | I said no no way i'm not going to do it. He couldn' |
- | 7:58 | + | |
- | reason i didn't was because i was hearing unusual music in my mind and i didn't want to be programmed by | + | Now i'm not saying that's what's happening here (laugh) |
- | 8:05 | + | |
- | their idea of what music is supposed to be because i knew i was hearing my own idea what music | + | |
- | 8:10 | + | ==== Columbia University couldn' |
- | could be very different | + | |
- | 8:17 | + | |
- | at fijo college | + | |
- | 8:23 | + | |
- | create a whole new type of music they thought i was crazy well is it jazz no it's pop no is it classical no then what is it they couldn' | + | |
- | could exist | + | |
8:30 | 8:30 | ||
- | when i went to uh columbia | + | When i went to Columbia |
- | 8:37 | + | |
- | all they knew was already established success formulas for music they couldn' | + | So very important let your heart be the boss. |
- | 8:43 | + | |
- | any new genre being popular which is new age music it became very popular well known since then but then they couldn' | + | ===== Letting heart guide you to what is right ===== |
- | 8:49 | + | |
- | see it they couldn' | + | |
- | 8:54 | + | |
- | get it so very important let your heart be the boss when i'm | + | |
9:00 | 9:00 | ||
- | recording | + | |
- | 9:06 | + | When I' |
- | i listen to my heart i played and i played back i listened to it my heart goes then i didn't get it my heart goes | + | |
- | 9:14 | + | How do i know when i get it just right? |
- | then i know i got it then i'll go on to the next thing we're going to record | + | * I listen to my heart - I played and I played back I listened to it my heart goes MMMMM MMMMM MMMMM, |
- | 9:20 | + | * my heart goes " |
- | like an okay or not okay meter if that was a good take or not a good take and if it isn't a | + | |
- | 9:27 | + | So i let my heart guide me like an okay or not okay meter if that was a good take or not a good take. And if it isn't a " |
- | feeling in my heart i just keep doing it i don't care how long it takes | + | |
+ | ===== Advice on Live Performing ===== | ||
9:33 | 9:33 | ||
- | now for those of you that perform live how much do you need to practice for a live event | + | Now for those of you that perform live how much do you need to practice for a live event |
9:39 | 9:39 | ||
i learned this when i was doing piano recitals as a little boy it's unrealistic to expect that in the | i learned this when i was doing piano recitals as a little boy it's unrealistic to expect that in the |